Entertainment
How can I bear surname of someone I have never met?-Tope Alabi’s Daughter Reacts To Paternity Scandal
Popular gospel singer, Tope Alabi’s daughter, Ayomikun, has come out to state that the only father she knows is her mother’s husband, Soji Alabi.
This is following the recent paternity scandal involving the gospel singer and a certain Mayegun Olaoye.
Based on online reports, Olaoye, claimed to be Ayomikun’s father, adding that Tope Alabi had blocked every avenue for him to know his biological daughter in the past 22 years..
Reacting to the news, Ayomikun Alabi, the young lady in the midst of the controversy, in an exclusive interview with The PUNCH on Saturday, stated that she was not surprised about the development as her mother had since informed her about the man who claimed to be her father.
Ayomikun, however, emphasized that the only father that she has is Mr Soji Alabi, who has been married to her mother for over two decades and has been taking care of them.
“I know and will always know that my father is Soji Alabi. I do not know any other person and I have never met any other man. I cannot blatantly deny him because I have heard about him, but I have never had anything to do with this man before.
She added, “My mother never blocked any avenue for us to see. My mother even tried for me to have a relationship with him. I remember when I was about 15 years old, she used to tell me to try and talk about him. Even when we discuss marriage, they tell me that they would want to inform him.
“They always tell me all these things about him but he is the one that never tried to reach out to me. I mean that he has never ever tried to. We have never had absolutely any conversation with this man. I mean I have had absolutely no contact with this man; none whatsoever.
“I am very grateful to God for the kind of mother and father that I have. They have been the best people and after God, my parents are next in my life,” the singer’s daughter stressed.
Olaoye had expressed his grudge with Tope Alabi for changing his biological daughter’s surname; but in her conversation with The PUNCH, Ayomikun seemed perplexed that a man who never reached out to her in her 22 years of existence would expect her to bear his surname.
“I cannot bear his surname. How can I bear the surname of someone that I have never met? There is no sense in that. I do not even know his surname. How can I bear the name of someone I have never met?

She said, “God knows my real father and everyone knows who my real father is. I did not know this man when I was in my crèche, daycare, primary, secondary or during my university days. I graduated and did not get a congratulatory message; absolutely nothing from him.
“So, there is no much story to tell. It is just a story about an irresponsible father and he is trying to cut every relationship he could ever build with his so-called daughter. I genuinely do not know why he is coming out after 22 years.
Ayomikun continued, “I do not know what he is trying to do and I do not see the point of what he is doing. What I know is that with what he has done, he does not care about my feelings, neither did he put it into consideration. This makes it obvious that he is not that good of a father. For him to have gone out to social media to claim me, I think he has completely lost the chance of any reconciliation at any point in time; that was the last straw.”
Also a sonorous singer like her mother, Ayomikun stated that the only way she can give Olaoye a listening ear is if they meet in court and there is a judgment to that effect.
She said, “If the man wants to reach out to me to patch things up, it would be in court. I do not think that I want to patch things up but I know that I will definitely meet him in court if he ever wants to talk. It cannot be a civil matter because he did not make it a civil matter when he went to social media to talk.”
Despite the occurrence, she said her family is fine and everything is normal as they were not shocked by Olaoye’s actions.
“I have spoken to my mother about it and we are all fine. It was not something that shocked us. He is not blackmailing the family but he is an example of a very terrible father. A father that is not even trying to make it up to someone but trying to get back to someone else,” Ayomikun said.
Source: https://punchng.com/paternity-scandal-soji-alabi-is-the-only-father-i-know-tope-alabis-daughter/
Entertainment
Wizkid Becomes First African Artist To Enter Spotify’s 10 Billion Streams Elite
Nigerian superstar Ayodeji Balogun, popularly known as Wizkid has officially made history as the first African artist to surpass 10 billion streams on Spotify across all credits.
This milestone cements his legacy as the leading figure in the global expansion of Afrobeats, having been the first African artist to reach every billion-stream threshold on the platform (from 1 billion to 10 billion).
The Ojuelegba crooner achieved the feat as his streams across all credits on the platform recently hit the 10 billion-stream mark.
His collaborative hit with Canadian superstar Drake and British singer, Tyla is his most streamed song on the platform with almost 4 billion streams.
His third studio album, ‘Made In Lagos Deluxe’ is his most streamed project on Spotify with over a billion streams.
Wizkid’s most streamed song as lead is ‘Essence’ featuring Tems, which has amassed over 333 million streams.
Meanwhile, American singer Billie Eilish’s ‘Birds Of A Feather’ has surpassed Tones and I’s ‘Dance Monkey’ as the most streamed solo song by a female artist in Spotify history.
‘Birds Of A Feather’ recently hit 3.37 billion to surpass ‘Dance Monkey’, which has 3.3 billion streams.
Entertainment
Funke Akindele’s Behind The Scenes Becomes West Africa’s All-Time Box Office King
Actress and producer Funke Akindele has officially shattered box office records once again. Her latest film, Behind The Scenes, has surpassed her previous work to become the highest-grossing film of all time in West Africa.
The film reached this historic milestone after crossing the ₦1.77 billion mark at the box office in early January 2026.
This is according to box office performance data from cinema distributors and industry trackers across the region.
The development shows the growing commercial power of locally produced films and Funke Akindele’s continued dominance as Nollywood’s most bankable filmmaker.
The film’s record-breaking run comes after weeks of sustained audience turnout, strong word-of-mouth, and consistently high weekly grosses, positioning it ahead of Akindele’s previous blockbuster, Everybody Loves Jenifa, which ended its theatrical run at about N1.8 billion.
What the data is saying
Available data shows that Behind The Scenes has already recorded a cumulative box office gross of approximately N1.77 billion as of the last weekend in cinemas.
The movie also posted a historic N129.5 million single-day gross on Boxing Day, one of the highest ever recorded in Nollywood history.
In terms of audience turnout, the film leads West Africa’s 2025 admissions ranking with 223,768 admissions between January 1 and December 31, 2025 (not calculating spillover numbers in 2026 yet. This places it well ahead of Everybody Loves Jenifa, which recorded 148,863 admissions within the same period. The numbers reflect not just higher ticket prices, but a significantly larger cinema-going audience.
More context from the box office
Beyond becoming the region’s highest-grossing film, Behind The Scenes is also the highest-grossing movie of 2025 so far. It represents Funke Akindele’s third N1 billion film, an achievement that remains unprecedented in Nollywood.
The film features an expansive, star-studded cast including BBNaija stars Wanni x Handi, Uche Montana, Scarlet Gomez, Tobi Bakre, Uzor Arukwe, Vee, Mr Macaroni, Ini Dima-Okojie, Iyabo Ojo, Ibrahim Chatta, Dele Odule, Destiny Etiko, Kamo, Afeez Oyetoro, and Ejiro Onojafe. Its broad appeal across demographics helped sustain momentum weeks after release.
The success of Behind The Scenes reinforces Nollywood’s transition into a data-driven, big-budget industry capable of delivering consistent theatrical returns. Funke Akindele previously disclosed that the film’s production budget was close to N1 billion, highlighting the growing scale and financial risk of modern Nigerian filmmaking.
What you should know
Nairametrics has consistently reported on the rise of billion-naira Nollywood films and Funke Akindele’s outsized influence on the box office. The actress-producer had earlier warned fans against sharing pirated cinema recordings, emphasizing how piracy directly threatens film profitability.
Behind The Scenes had shown strong box office momentum from its opening weekend. Funke Akindele’s latest film recorded over N200 million in box office revenue during its first weekend in cinemas, making it the highest-grossing opening weekend of 2025, according to figures released by FilmOne Entertainment, the film’s West African distributor.
The movie, which debuted in cinemas on December 12, attracted 34,548 admissions between December 12 and 14, setting multiple opening-weekend benchmarks in the Nigerian film market. Within just two weeks of release, the title crossed the N500 million mark at the Nigerian box office.
Its momentum continued across the region, as Behind The Scenes surged past N1.1 billion at the West African box office just 17 days after release, becoming the fastest film in the region’s history to cross the billion-naira threshold.
Entertainment
Police Launch Manhunt For Portable Following Alleged Assault On Baby Mama, Ashabi Simple
Controversial Nigerian singer, Portable, has escaped police arrest after beating up his fourth baby mama, actress Ashabi Simple.
The incident reportedly happened on Thursday, January 1, 2026 during Ashabi’s visit to his bar in Ogun state.
In a viral video of the incident online, Ashabi, who was seen holding the singer’s cloth saying she’s tired of being called his baby mama, insisted that Portable must also recognise her as his wife.
She said: “Oya Pami baby, I’m also your wife, you’ve to stop calling me your baby mama.”
Portable immediately pushed her and replied that he only recognises his wife, Bewaji, noting that other women that have kids with him are baby mamas.
“I only have one wife, the rest of you are just baby mamas,” the singer said.
His response escalated the altercation with Ashabi responding emotionally “Then you will have to kill me, baby.”
After the commotion, the actress and her siblings reported Portable to the police for assault and abuse.
Speaking in a video on Instagram, Ashabi revealed that the police met Portable’s pregnant wife, Bewaji at home as Portable escaped arrest.
“I celebrated the new year in a happy mood with my family. You are the one that called me that you’re in a bad mood, and I told you that I went to my dad’s house for the new year. And you asked me to bring new year food for you and I said ok.
“I called you when I got to your bar, and you asked me to meet you outside. When I got there, we had a minor disagreement and you slapped me, beat me up, seized our phones and threatened my siblings and I with axe,” she alleged.
Reacting to the fight, many Nigerians berated her for forcing herself on him, while some said she has low self esteem.
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