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Bukky Wright Returns To Nollywood After Nearly Two Decades

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After nearly 20 years away, Nollywood veteran Bukky Wright has officially announced her return to the Nigerian film industry. Having spent over 15 years in the diaspora, the iconic actress is making a bold comeback, ready to take on new roles and reconnect with her roots.

Wright’s return has already stirred excitement among fans and industry insiders. In what appeared to be a calculated move to regain her footing, she recently appeared in a comedy skit and paid a condolence visit to King Wasiu Ayinde over the loss of his mother.

These appearances have set the stage for her renewed journey in Nollywood.

In a recent interview, Wright opened up about her decision to return, describing her comeback as a permanent chapter in her career. Reflecting on her time away, she revealed her eagerness to dive back into the industry, which has evolved significantly since her departure.

“It felt really good. It actually gave me the opportunity to see all these people again. I haven’t seen them in years,” she shared, expressing gratitude to director Bukola Ogunsola, who gave her a role in the newly released film Something About the Briggs. The project marked her official re-entry into Nollywood and reignited her passion for acting.

Despite taking nearly two decades off the screen, Wright remains confident in her abilities. For her, acting is more than just a profession—it’s an innate talent. “Although I take on minor roles, I’ll tell you one thing: if it’s inbuilt, then it’s inbuilt. Nothing can take it away from you,” she said, reaffirming her dedication to the craft.

Her performance in Something About the Briggs has already garnered praise, with many applauding her seamless transition back into acting. The role serves as a testament to her enduring talent and ability to adapt to the demands of a modern Nollywood.

Far from a fleeting appearance, Wright has vowed to remain in Nigeria and take on more projects. “I’ll stay. I’m going to do more movies in Nigeria here during my stay. I have more projects coming, and I’m here to stay,” she revealed, reassuring fans of her commitment to making a lasting impact.

Wright acknowledges the vast changes in Nollywood since her departure, including advancements in storytelling, production quality, and global recognition. However, she remains confident that her wealth of experience and deep love for acting will allow her to thrive in this new era.

Reuniting with old colleagues has been one of the highlights of her return. Speaking fondly about the camaraderie she has experienced, Wright described the warmth and joy of reconnecting with familiar faces after so many years.

 

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Wizkid Becomes First African Artist To Enter Spotify’s 10 Billion Streams Elite

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Nigerian superstar Ayodeji Balogun, popularly known as Wizkid has officially made history as the first African artist to surpass 10 billion streams on Spotify across all credits.

 

This milestone cements his legacy as the leading figure in the global expansion of Afrobeats, having been the first African artist to reach every billion-stream threshold on the platform (from 1 billion to 10 billion).

 

The Ojuelegba crooner achieved the feat as his streams across all credits on the platform recently hit the 10 billion-stream mark.

 

His collaborative hit with Canadian superstar Drake and British singer, Tyla is his most streamed song on the platform with almost 4 billion streams.

 

His third studio album, ‘Made In Lagos Deluxe’ is his most streamed project on Spotify with over a billion streams.

 

Wizkid’s most streamed song as lead is ‘Essence’ featuring Tems, which has amassed over 333 million streams.

 

Meanwhile, American singer Billie Eilish’s ‘Birds Of A Feather’ has surpassed Tones and I’s ‘Dance Monkey’ as the most streamed solo song by a female artist in Spotify history.

 

‘Birds Of A Feather’ recently hit 3.37 billion to surpass ‘Dance Monkey’, which has 3.3 billion streams.

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Funke Akindele’s Behind The Scenes Becomes West Africa’s All-Time Box Office King

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Actress and producer Funke Akindele has officially shattered box office records once again. Her latest film, Behind The Scenes, has surpassed her previous work to become the highest-grossing film of all time in West Africa.

 

The film reached this historic milestone after crossing the ₦1.77 billion mark at the box office in early January 2026.

 

This is according to box office performance data from cinema distributors and industry trackers across the region.

 

The development shows the growing commercial power of locally produced films and Funke Akindele’s continued dominance as Nollywood’s most bankable filmmaker.

 

The film’s record-breaking run comes after weeks of sustained audience turnout, strong word-of-mouth, and consistently high weekly grosses, positioning it ahead of Akindele’s previous blockbuster, Everybody Loves Jenifa, which ended its theatrical run at about N1.8 billion.

 

What the data is saying

Available data shows that Behind The Scenes has already recorded a cumulative box office gross of approximately N1.77 billion as of the last weekend in cinemas.

 

The movie also posted a historic N129.5 million single-day gross on Boxing Day, one of the highest ever recorded in Nollywood history.

 

In terms of audience turnout, the film leads West Africa’s 2025 admissions ranking with 223,768 admissions between January 1 and December 31, 2025 (not calculating spillover numbers in 2026 yet. This places it well ahead of Everybody Loves Jenifa, which recorded 148,863 admissions within the same period. The numbers reflect not just higher ticket prices, but a significantly larger cinema-going audience.

 

More context from the box office

Beyond becoming the region’s highest-grossing film, Behind The Scenes is also the highest-grossing movie of 2025 so far. It represents Funke Akindele’s third N1 billion film, an achievement that remains unprecedented in Nollywood.

 

The film features an expansive, star-studded cast including BBNaija stars Wanni x Handi, Uche Montana, Scarlet Gomez, Tobi Bakre, Uzor Arukwe, Vee, Mr Macaroni, Ini Dima-Okojie, Iyabo Ojo, Ibrahim Chatta, Dele Odule, Destiny Etiko, Kamo, Afeez Oyetoro, and Ejiro Onojafe. Its broad appeal across demographics helped sustain momentum weeks after release.

 

The success of Behind The Scenes reinforces Nollywood’s transition into a data-driven, big-budget industry capable of delivering consistent theatrical returns. Funke Akindele previously disclosed that the film’s production budget was close to N1 billion, highlighting the growing scale and financial risk of modern Nigerian filmmaking.

 

What you should know

Nairametrics has consistently reported on the rise of billion-naira Nollywood films and Funke Akindele’s outsized influence on the box office. The actress-producer had earlier warned fans against sharing pirated cinema recordings, emphasizing how piracy directly threatens film profitability.

 

Behind The Scenes had shown strong box office momentum from its opening weekend. Funke Akindele’s latest film recorded over N200 million in box office revenue during its first weekend in cinemas, making it the highest-grossing opening weekend of 2025, according to figures released by FilmOne Entertainment, the film’s West African distributor.

 

The movie, which debuted in cinemas on December 12, attracted 34,548 admissions between December 12 and 14, setting multiple opening-weekend benchmarks in the Nigerian film market. Within just two weeks of release, the title crossed the N500 million mark at the Nigerian box office.

Its momentum continued across the region, as Behind The Scenes surged past N1.1 billion at the West African box office just 17 days after release, becoming the fastest film in the region’s history to cross the billion-naira threshold.

 

 

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Police Launch Manhunt For Portable Following Alleged Assault On Baby Mama, Ashabi Simple

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Controversial Nigerian singer, Portable, has escaped police arrest after beating up his fourth baby mama, actress Ashabi Simple.

 

The incident reportedly happened on Thursday, January 1, 2026 during Ashabi’s visit to his bar in Ogun state.

 

In a viral video of the incident online, Ashabi, who was seen holding the singer’s cloth saying she’s tired of being called his baby mama, insisted that Portable must also recognise her as his wife.

 

She said: “Oya Pami baby, I’m also your wife, you’ve to stop calling me your baby mama.”

 

Portable immediately pushed her and replied that he only recognises his wife, Bewaji, noting that other women that have kids with him are baby mamas.

 

“I only have one wife, the rest of you are just baby mamas,” the singer said.

 

His response escalated the altercation with Ashabi responding emotionally “Then you will have to kill me, baby.”

 

After the commotion, the actress and her siblings reported Portable to the police for assault and abuse.

 

Speaking in a video on Instagram, Ashabi revealed that the police met Portable’s pregnant wife, Bewaji at home as Portable escaped arrest.

 

“I celebrated the new year in a happy mood with my family. You are the one that called me that you’re in a bad mood, and I told you that I went to my dad’s house for the new year. And you asked me to bring new year food for you and I said ok.

 

“I called you when I got to your bar, and you asked me to meet you outside. When I got there, we had a minor disagreement and you slapped me, beat me up, seized our phones and threatened my siblings and I with axe,” she alleged.

 

Reacting to the fight, many Nigerians berated her for forcing herself on him, while some said she has low self esteem.

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