Entertainment
Davido More Interested In Intimacy Than Our Daughter’s Welfare – Sophia Tells Court
Sophia Momodu, the mother of Davido’s daughter, has told a Lagos State High Court sitting in Sabo, Yaba, not to grant the child’s custody to the musician.
This, she said is because Davido is more interested in exploiting her sexually than catering for their daughter’s welfare.
Momodu told the court on Friday that the applicant was not fit to be granted custody of their daughter because he is always unavailable and does not possess the ability to dutifully care for her.
She stated this in a counter-affidavit she filed in opposition to Davido’s suit seeking custody.
According to her, while their relationship lasted, Davido never showed true commitment or love towards their daughter.
“He always used the condition of making myself available for his sexual pleasures as a precondition to visit our daughter or show some fatherly love to her.
“The applicant, apart from his cravings for sex, only comes around to spend time with our daughter when he wants to use our daughter for his media stunts or promotions.
“The applicant has always been known to go away and stop communicating with our daughter, to stop making payments for school fees and/or maintenance for our daughter, whenever I refused his sexual advances,” she stated.
The respondent stated that Davido once threw her and their daughter out of his home in Atlanta, US, during a summer holiday in 2017 and they ended up squatting with a friend.
Momodu stated that she never denied Davido access to his daughter and that it was he who chose to be “an absentee father.”
She added that she had been responsible for her accommodation and that the artiste had always had access to their daughter until he chose to abuse it by visiting at odd hours to demand sex.
“When I noticed that the intention of the applicant for coming late at night to my house was not to visit our daughter but to seek sexual favours, even after our relationship had ended, I told him to desist from such late-night visits, as our daughter, who needed to be in school in the morning, would have slept at the time of his late-night visits.
“It was when I refused the applicant’s ingress into my house at ungodly hours of the night on the pretext of visiting our daughter that he decided to stop visiting or calling our daughter and this has been the pattern with the applicant all through his relationship with our daughter.
“Whenever I refused to be his sex slave, he would stop caring for his daughter and abandon her and use the fact of our daughter’s sadness due to his absence to force me to accede to his unwholesome demands.
“I have never stopped the applicant or his family members from coming to visit his daughter, calling or reconnecting with our daughter,” she stated.
The respondent again stated that contrary to Davido’s claim, he has not been faithful in paying their daughter’s school fees, having defaulted in 2021 and 2022, with the school writing to her in January 2023, over unpaid tuition.
“The school wrote via email notifying me that our daughter will not be allowed entry into the school unless all outstanding fees from 2021 to 2023 were paid off,” she said.
Momodu told the court that it was Davido’s father who intervened and paid the school fees.
She stated that contrary to Davido’s claim, she has been the one paying the rent of the apartment where she lives with her daughter, adding that Davido did not buy any house for them.
Momodu said she has been providing the best care for her daughter, despite her father’s negligence and will continue to do so as a loving mother.
The respondent was represented at Friday’s proceedings before Justice A. J. Bashua, by a legal team led by Chief Anthony Idigbe, SAN, of Punuka Attorneys & Solicitors.
Chief Idigbe drew attention to the publication of a hearing notice in a national newspaper by Davido’s legal team, in which the name of his daughter was mentioned four times.
The judge agreed with Chief Idigbe that while the press was free to report, the child’s name ought not to be mentioned at all.
The judge then asked members of the press, litigants and all other counsel not involved in the case to leave the courtroom during the hearing.
Before they left, Chief Idigbe, with the court’s permission, drew the attention of members of the press to Section 143 of the Child’s Rights Law of Lagos State 2015.
It provides that in a case involving a minor: “No person must be allowed to attend court, other than the members and officers of the court and the parties to the case.
It also provides that their solicitors and counsel, parents and guardians of the child and other persons directly concerned in the case were free to be allowed in.”
Chief Idigbe also referred to Section 144 of the law, which prohibits the publication of a child’s name.
The section reads: “No person must publish the name, address, school, photograph, or anything likely to lead to the identification of a child in a matter before the court, except as required by the provisions of this law.”
He further referred to Section 145 of the Child Rights Law, which provides: “The proceedings in the court must be conducive to the best interest of the child and must be conducted in an atmosphere of understanding, allowing the child to express himself and participate in the proceedings.”
Momodu, in the counter-affidavit, also faulted the publication of the suit in a national newspaper.
“The applicant (Davido) in publishing this suit in a national newspaper has exposed our daughter to great danger.
“I would have to implement extra security measures to ensure the continued safety of our daughter in school,” she stated.
At the end of the proceedings, it was learnt that the court referred the case for possible settlement by the Alternative Dispute Resolution section of the court during Settlement Week.
Nigerian superstar Ayodeji Balogun, popularly known as Wizkid has officially made history as the first African artist to surpass 10 billion streams on Spotify across all credits.
This milestone cements his legacy as the leading figure in the global expansion of Afrobeats, having been the first African artist to reach every billion-stream threshold on the platform (from 1 billion to 10 billion).
The Ojuelegba crooner achieved the feat as his streams across all credits on the platform recently hit the 10 billion-stream mark.
His collaborative hit with Canadian superstar Drake and British singer, Tyla is his most streamed song on the platform with almost 4 billion streams.
His third studio album, ‘Made In Lagos Deluxe’ is his most streamed project on Spotify with over a billion streams.
Wizkid’s most streamed song as lead is ‘Essence’ featuring Tems, which has amassed over 333 million streams.
Meanwhile, American singer Billie Eilish’s ‘Birds Of A Feather’ has surpassed Tones and I’s ‘Dance Monkey’ as the most streamed solo song by a female artist in Spotify history.
‘Birds Of A Feather’ recently hit 3.37 billion to surpass ‘Dance Monkey’, which has 3.3 billion streams.
Actress and producer Funke Akindele has officially shattered box office records once again. Her latest film, Behind The Scenes, has surpassed her previous work to become the highest-grossing film of all time in West Africa.
The film reached this historic milestone after crossing the ₦1.77 billion mark at the box office in early January 2026.
This is according to box office performance data from cinema distributors and industry trackers across the region.
The development shows the growing commercial power of locally produced films and Funke Akindele’s continued dominance as Nollywood’s most bankable filmmaker.
The film’s record-breaking run comes after weeks of sustained audience turnout, strong word-of-mouth, and consistently high weekly grosses, positioning it ahead of Akindele’s previous blockbuster, Everybody Loves Jenifa, which ended its theatrical run at about N1.8 billion.
What the data is saying
Available data shows that Behind The Scenes has already recorded a cumulative box office gross of approximately N1.77 billion as of the last weekend in cinemas.
The movie also posted a historic N129.5 million single-day gross on Boxing Day, one of the highest ever recorded in Nollywood history.
In terms of audience turnout, the film leads West Africa’s 2025 admissions ranking with 223,768 admissions between January 1 and December 31, 2025 (not calculating spillover numbers in 2026 yet. This places it well ahead of Everybody Loves Jenifa, which recorded 148,863 admissions within the same period. The numbers reflect not just higher ticket prices, but a significantly larger cinema-going audience.
More context from the box office
Beyond becoming the region’s highest-grossing film, Behind The Scenes is also the highest-grossing movie of 2025 so far. It represents Funke Akindele’s third N1 billion film, an achievement that remains unprecedented in Nollywood.
The film features an expansive, star-studded cast including BBNaija stars Wanni x Handi, Uche Montana, Scarlet Gomez, Tobi Bakre, Uzor Arukwe, Vee, Mr Macaroni, Ini Dima-Okojie, Iyabo Ojo, Ibrahim Chatta, Dele Odule, Destiny Etiko, Kamo, Afeez Oyetoro, and Ejiro Onojafe. Its broad appeal across demographics helped sustain momentum weeks after release.
The success of Behind The Scenes reinforces Nollywood’s transition into a data-driven, big-budget industry capable of delivering consistent theatrical returns. Funke Akindele previously disclosed that the film’s production budget was close to N1 billion, highlighting the growing scale and financial risk of modern Nigerian filmmaking.
What you should know
Nairametrics has consistently reported on the rise of billion-naira Nollywood films and Funke Akindele’s outsized influence on the box office. The actress-producer had earlier warned fans against sharing pirated cinema recordings, emphasizing how piracy directly threatens film profitability.
Behind The Scenes had shown strong box office momentum from its opening weekend. Funke Akindele’s latest film recorded over N200 million in box office revenue during its first weekend in cinemas, making it the highest-grossing opening weekend of 2025, according to figures released by FilmOne Entertainment, the film’s West African distributor.
The movie, which debuted in cinemas on December 12, attracted 34,548 admissions between December 12 and 14, setting multiple opening-weekend benchmarks in the Nigerian film market. Within just two weeks of release, the title crossed the N500 million mark at the Nigerian box office.
Its momentum continued across the region, as Behind The Scenes surged past N1.1 billion at the West African box office just 17 days after release, becoming the fastest film in the region’s history to cross the billion-naira threshold.
Entertainment
Police Launch Manhunt For Portable Following Alleged Assault On Baby Mama, Ashabi Simple
Controversial Nigerian singer, Portable, has escaped police arrest after beating up his fourth baby mama, actress Ashabi Simple.
The incident reportedly happened on Thursday, January 1, 2026 during Ashabi’s visit to his bar in Ogun state.
In a viral video of the incident online, Ashabi, who was seen holding the singer’s cloth saying she’s tired of being called his baby mama, insisted that Portable must also recognise her as his wife.
She said: “Oya Pami baby, I’m also your wife, you’ve to stop calling me your baby mama.”
Portable immediately pushed her and replied that he only recognises his wife, Bewaji, noting that other women that have kids with him are baby mamas.
“I only have one wife, the rest of you are just baby mamas,” the singer said.
His response escalated the altercation with Ashabi responding emotionally “Then you will have to kill me, baby.”
After the commotion, the actress and her siblings reported Portable to the police for assault and abuse.
Speaking in a video on Instagram, Ashabi revealed that the police met Portable’s pregnant wife, Bewaji at home as Portable escaped arrest.
“I celebrated the new year in a happy mood with my family. You are the one that called me that you’re in a bad mood, and I told you that I went to my dad’s house for the new year. And you asked me to bring new year food for you and I said ok.
“I called you when I got to your bar, and you asked me to meet you outside. When I got there, we had a minor disagreement and you slapped me, beat me up, seized our phones and threatened my siblings and I with axe,” she alleged.
Reacting to the fight, many Nigerians berated her for forcing herself on him, while some said she has low self esteem.
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