Entertainment
Read Shocking Revelations Made By Mayegun Olaoye’s Brother About Tope Alabi And First Hubby
Victor Oyegoke, brother to Olalekan Oyegoke, aka Mayegun Olaoye, the father of gospel singer, Tope Alabi’s first child, Ayomikun has revealed more shocking details about the relationship between his brother and Alabi.
Kemi Filani News recalls that the gospel singer was hit with a big scandal last weekend, after one Mayegun Olaoye had claimed to be Ayomikun’s father, while alleging that Tope Alabi had blocked every avenue for him to know his biological daughter in the past 22 years.
Responding, Ayomikun in a chat with PUNCH denounced the Mayegun Olaoye and clearly stated that the only father she knows is her mother’s husband, Soji Alabi.
Victor Oyegoke, brother of Mayegun has now shed more light on the scandal in this chat with PUNCH, see excerpts:
What do you know about the relationship that existed between Mayegun Olaoye and Tope Alabi?
I know everything that happened because I was staying with my brother (Mayegun Olaoye) at the time. It was in Akure (Ondo State capital) that he met Tope Alabi (whose surname was Obayomi then). My brother does not want us to talk to anybody and this is something he has been trying to avoid but I just have to clear the air. We would have spoken about this issue a long time ago but my brother did not want it to seem like he was damaging her career.
Since the news broke, a lot of people have been dragging our family’s name in the mud. Stories that my brother maltreated her are false. He is the first born of our family while I’m the fifth child. Our father died at an early age in 1983 and my brother was the one who sponsored his younger ones in school. He has been taking care of his family for a long time, so how can someone like that be described as irresponsible? My brother supported her career so much. I am sure the child, Ayomiku, spoke the way she did because of what she had been told.
We learnt that Ayomiku’s surname had been changed from Oyegoke to Alabi. Then, my brother called her (Tope). He said he wanted to see the child and discuss some issues. So, together with some movie marketers, they organised a meeting in 2018 at The Arena shopping complex in Oshodi, Lagos.
What transpired at the meeting?
The meeting was attended by marketers like Wastayo (Wasiu Afolayan) and Millenium (Adekunle Owoade). At the meeting, Tope claimed that she did not tell Ayomiku negative things about her father. She said the girl was of age and could make her own decisions.
She admitted that my brother did not offend her but she was the one that wronged him. She also said Soji often told Ayomiku about her biological father.
Tope was also asked why she changed the child’s surname to Alabi and she said it was because whenever they had to travel, she would have to provide a letter of consent from the child’s father. So, she said she changed her surname to make things easier. Even if a man wants to adopt a child, there is a legal process that ought to be followed, particularly when the child’s father is alive.
Before she left on that day, she was asked to give my brother a phone number that he could reach Ayomiku on and she did. However, when my brother called her (Ayomiku), they did not get along well.

Do you know how Tope and your brother met?
My brother was dating a lady called Bimpe and she was the one he initially wanted to marry. Tope and my brother met through the late actor, Alade Aromire. She was a member of Alade’s ‘Ori Ire’ caucus in the Yoruba movie industry. My brother used to be close to Alade, and he had a shop at Idumota (Lagos). He always supported the movie industry. He met Tope at a movie location in Akure. He introduced Tope to me and some of our siblings but I didn’t think it was anything really serious. However, I was surprised when I later visited him in Lagos and met Tope in his house. I asked him about Bunmi who he had already been making marriage plans with but he waved my comments aside. He told us Tope was pregnant for him.
Meanwhile, my mum who was a midwife examined Tope and said she was not pregnant. My mum said she had prayed about it and it was revealed to her that he should not marry a light-skinned woman (like Tope). But my brother got annoyed with her for saying that and told her not to come to his house again. At a stage, Tope was not happy with our mother. Later, she said she had a miscarriage. After some time, she got pregnant again and eventually had Ayomiku.
What led to their split?
Barely a year after Tope gave birth to Ayomiku, she moved out of my brother’s house with Ayomiku.
Did they have a fight?
There was nothing like that. My brother begged her profusely but she refused to budge. Prior to that, there was a day I visited my brother’s house and knocked the door for a long time before I was attended to. I later saw Soji Alabi, who was a sound engineer and producer, and Tope. They said they were busy recording in the studio. I had also been hearing some rumours that there was an affair between Tope and Soji, so I told my brother. But, my brother was very angry when I told him that and he actually beat me. He was deeply in love with Tope. When she left, she took the master tape of her album that my brother sponsored. As a matter of fact, it took him some time to recover from the experience.
It was not more than a year after she left my brother that she got married to Soji. It was after their wedding that my brother married Bunmi, the lady he was dating before Tope came into the picture. However, she (Bunmi) died in the course of giving birth to their second child. After some time, my brother remarried and he is doing well.
Before then, my brother had organised an elaborate christening for Ayomiku that was well attended by many of the major movie marketers of that time.
When Tope eventually moved out, what moves did your brother make to reach out to her for the sake of their child?
He reached out to her severally. After Tope left his house, she took the child to her mother’s place. My brother often sent me and another brother of ours to check on the child. He even used to call Tope. Our mother also regularly called Tope’s mother. Also, Tope used to go to my brother’s office at Idumota to collect money for Ayomiku’s upkeep.
Tope should deny these claims if I am lying.
After Tope released the successful album, ‘Ore ti o Common’, she took Ayomiku from her mother’s house. It was then my brother had to pull back. You would not expect him to be going to the house of his married ex to see the child. He could have been ridiculed.

What does your brother want now?
He just wants to establish the fact that Ayomiku has a biological father who is alive. He has other male and female children, so it is not as if he is desperate to have a child.
My brother is a very gentle person and he has refused to talk about this. However, the issue has gone beyond him and our family’s name is being dragged in the mud. That is why I am speaking out.
Source: Kemi Filani
Entertainment
Wizkid Becomes First African Artist To Enter Spotify’s 10 Billion Streams Elite
Nigerian superstar Ayodeji Balogun, popularly known as Wizkid has officially made history as the first African artist to surpass 10 billion streams on Spotify across all credits.
This milestone cements his legacy as the leading figure in the global expansion of Afrobeats, having been the first African artist to reach every billion-stream threshold on the platform (from 1 billion to 10 billion).
The Ojuelegba crooner achieved the feat as his streams across all credits on the platform recently hit the 10 billion-stream mark.
His collaborative hit with Canadian superstar Drake and British singer, Tyla is his most streamed song on the platform with almost 4 billion streams.
His third studio album, ‘Made In Lagos Deluxe’ is his most streamed project on Spotify with over a billion streams.
Wizkid’s most streamed song as lead is ‘Essence’ featuring Tems, which has amassed over 333 million streams.
Meanwhile, American singer Billie Eilish’s ‘Birds Of A Feather’ has surpassed Tones and I’s ‘Dance Monkey’ as the most streamed solo song by a female artist in Spotify history.
‘Birds Of A Feather’ recently hit 3.37 billion to surpass ‘Dance Monkey’, which has 3.3 billion streams.
Entertainment
Funke Akindele’s Behind The Scenes Becomes West Africa’s All-Time Box Office King
Actress and producer Funke Akindele has officially shattered box office records once again. Her latest film, Behind The Scenes, has surpassed her previous work to become the highest-grossing film of all time in West Africa.
The film reached this historic milestone after crossing the ₦1.77 billion mark at the box office in early January 2026.
This is according to box office performance data from cinema distributors and industry trackers across the region.
The development shows the growing commercial power of locally produced films and Funke Akindele’s continued dominance as Nollywood’s most bankable filmmaker.
The film’s record-breaking run comes after weeks of sustained audience turnout, strong word-of-mouth, and consistently high weekly grosses, positioning it ahead of Akindele’s previous blockbuster, Everybody Loves Jenifa, which ended its theatrical run at about N1.8 billion.
What the data is saying
Available data shows that Behind The Scenes has already recorded a cumulative box office gross of approximately N1.77 billion as of the last weekend in cinemas.
The movie also posted a historic N129.5 million single-day gross on Boxing Day, one of the highest ever recorded in Nollywood history.
In terms of audience turnout, the film leads West Africa’s 2025 admissions ranking with 223,768 admissions between January 1 and December 31, 2025 (not calculating spillover numbers in 2026 yet. This places it well ahead of Everybody Loves Jenifa, which recorded 148,863 admissions within the same period. The numbers reflect not just higher ticket prices, but a significantly larger cinema-going audience.
More context from the box office
Beyond becoming the region’s highest-grossing film, Behind The Scenes is also the highest-grossing movie of 2025 so far. It represents Funke Akindele’s third N1 billion film, an achievement that remains unprecedented in Nollywood.
The film features an expansive, star-studded cast including BBNaija stars Wanni x Handi, Uche Montana, Scarlet Gomez, Tobi Bakre, Uzor Arukwe, Vee, Mr Macaroni, Ini Dima-Okojie, Iyabo Ojo, Ibrahim Chatta, Dele Odule, Destiny Etiko, Kamo, Afeez Oyetoro, and Ejiro Onojafe. Its broad appeal across demographics helped sustain momentum weeks after release.
The success of Behind The Scenes reinforces Nollywood’s transition into a data-driven, big-budget industry capable of delivering consistent theatrical returns. Funke Akindele previously disclosed that the film’s production budget was close to N1 billion, highlighting the growing scale and financial risk of modern Nigerian filmmaking.
What you should know
Nairametrics has consistently reported on the rise of billion-naira Nollywood films and Funke Akindele’s outsized influence on the box office. The actress-producer had earlier warned fans against sharing pirated cinema recordings, emphasizing how piracy directly threatens film profitability.
Behind The Scenes had shown strong box office momentum from its opening weekend. Funke Akindele’s latest film recorded over N200 million in box office revenue during its first weekend in cinemas, making it the highest-grossing opening weekend of 2025, according to figures released by FilmOne Entertainment, the film’s West African distributor.
The movie, which debuted in cinemas on December 12, attracted 34,548 admissions between December 12 and 14, setting multiple opening-weekend benchmarks in the Nigerian film market. Within just two weeks of release, the title crossed the N500 million mark at the Nigerian box office.
Its momentum continued across the region, as Behind The Scenes surged past N1.1 billion at the West African box office just 17 days after release, becoming the fastest film in the region’s history to cross the billion-naira threshold.
Entertainment
Police Launch Manhunt For Portable Following Alleged Assault On Baby Mama, Ashabi Simple
Controversial Nigerian singer, Portable, has escaped police arrest after beating up his fourth baby mama, actress Ashabi Simple.
The incident reportedly happened on Thursday, January 1, 2026 during Ashabi’s visit to his bar in Ogun state.
In a viral video of the incident online, Ashabi, who was seen holding the singer’s cloth saying she’s tired of being called his baby mama, insisted that Portable must also recognise her as his wife.
She said: “Oya Pami baby, I’m also your wife, you’ve to stop calling me your baby mama.”
Portable immediately pushed her and replied that he only recognises his wife, Bewaji, noting that other women that have kids with him are baby mamas.
“I only have one wife, the rest of you are just baby mamas,” the singer said.
His response escalated the altercation with Ashabi responding emotionally “Then you will have to kill me, baby.”
After the commotion, the actress and her siblings reported Portable to the police for assault and abuse.
Speaking in a video on Instagram, Ashabi revealed that the police met Portable’s pregnant wife, Bewaji at home as Portable escaped arrest.
“I celebrated the new year in a happy mood with my family. You are the one that called me that you’re in a bad mood, and I told you that I went to my dad’s house for the new year. And you asked me to bring new year food for you and I said ok.
“I called you when I got to your bar, and you asked me to meet you outside. When I got there, we had a minor disagreement and you slapped me, beat me up, seized our phones and threatened my siblings and I with axe,” she alleged.
Reacting to the fight, many Nigerians berated her for forcing herself on him, while some said she has low self esteem.
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